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The Kitlist:

YAMAHA CS1X
YAMAHA RM1X
Roland MS1
Roland JV880
Sherman
Behringer Virtualizer
8-Channel Behringer mixer
PC Petty um One
Software: Soundforge Acid, Cool Edit, Nothing really "pro"

Next to that there's a squier tele, a bass, and some percussion and blow-toys.

For the live-sets, I take the sequencer, the sampler and the sherman on my mixer. Only the patterns and phrases are programmed in advance. The way they get mixed down is differing each time. This to ensure the live-kick. I allways trie to use as less sounds as possible. There, creativity pops up (when the moods right).

Technical Talk

In my 'studio' you won't find the big and xpensive machinery doin' all the things you can often realize on an old pentium 1.
What you can find there is digital soundsources, mainly creating poppy, cheesy and frankly fakesounds. But they are much cheaper than the real analogue monsters. All these lousy soundboards are mixed together with live parts when necesary, and get an analogue facelift in the ultrasuperphenomenon Sherman Filterbank. (Refered to in my links-page)
Than Behringer "virtualises" all this in a tiny desk that leads to my pc.

The software I choose stands in the same low-budgetrow. I still like SoundForges "Acid". It's handy, compact and when you work long enough with it you'll do exactly the same with it as when running a Cubase. There's some features on the 'cool edit'or that stretches better than a long-distance-runner. All though I can imagin when recording 36 strings and a cupper-ensemble you might want to use the BBC-studios.

Things I would still like to have is a pair of turntable-decks. I could use some for a couple o' years but by the time I was hooked they were gone. Next to that maybe just better speakers and bigger patience.



peace, love & unity